1741-1807,Swiss neoclassical painter and graphic artist. From her youth she was known for her artistic, musical, and linguistic abilities. She went to England, where she enjoyed success as a fashionable portrait painter and decorator. A protegee of Sir Joshua Reynolds, Kauffman was one of the original members of the Royal Academy. She often decorated houses designed by the Adam brothers. After her marriage in 1781 to the Venetian painter Antonio Zucchi, she lived in Italy, where she flourished in artistic and literary circles. Reynolds, Winckelmann, Goethe, and Garrick commissioned her to paint their portraits. Representative works include Religion (National Gall., London); Self-Portrait (Staatliche Museen, Berlin); and the etchings of L'Allegra and La Pensierosa. The British Museum has a collection of her drawings and prints.  Related Paintings of Angelika Kauffmann :. | Pallas Athene in Waffen | Bildnis der Geschwister Plymouth als Amor und Psyche | Christus und die Samariterin | Amors Rache | Selbstbildnis in der Tracht der Bregenzerwalderin |
Related Artists:
Rufus Hathaway
American country painter , 1770-1822 American painter and physician. He may have been apprenticed to ship-carvers and decorators, but he was not trained in fine art. His earliest known portrait, Lady with her Pets (1790; New York, Met.), demonstrates his unsophisticated, decorative style. Between 1790 and 1796 he seems to have worked as an itinerant artist; only portraits of relatives and friends survive. During his life he painted at least 25 portraits as well as miniatures, views and decorative overmantels. He also painted a genre subject, the Welch Curate, c. 1800
Ernst Oppler
1867, Hannover - 1929, Berlin, a Jewish German painter and etcher; elder brother of Alexander.
Vieira Portuense
(Porto, 13 May 1765 - Funchal, 2 May 1805), who choose the artistic name of Vieira Portuense, was a Portuguese painter, one of the introducers of Neoclassicism in Portuguese painting. He was, in the neoclassical style, one of the two great Portuguese painters of his generation, with Domingos Sequeira. He first studied in Lisbon, later moving to Rome. He traveled through Italy, Germany, Austria and England, before returning to Portugal, in 1800. He met Swiss painter Angelika Kauffmann, from whom he seems to have received influences. He seems to anticipate some motives of the romantic painting in several of his historical paintings, like "Dona Filipa de Vilhena knighting her sons" (1801). He contracted tuberculosis, and moved to Madeira, were he died, aged only 39. He is represented at the National Museum of Ancient Art, in Lisbon, and at the National Museum Soares dos Reis, in Porto. Not to be confused with another Portuguese painter, Francisco Vieira de Matos, better known as Vieira Lusitano.